VELAZQUEZ, Diego Rodriguez de Silva y
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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VELAZQUEZ, Diego Rodriguez de Silva y The Woman holding the fan oil painting


The Woman holding the fan
mk237 1635 oil on canvas 95x70cm
Painting ID::  54733
VELAZQUEZ, Diego Rodriguez de Silva y
The Woman holding the fan
mk237 1635 oil on canvas 95x70cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of The Woman holding the fan oil painting


Detail of The Woman holding the fan
mk237
Painting ID::  54734
VELAZQUEZ, Diego Rodriguez de Silva y
Detail of The Woman holding the fan
mk237
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Prince oil painting


Prince
mk237 1635-1636 Oil on canvas 191x103cm
Painting ID::  54735
VELAZQUEZ, Diego Rodriguez de Silva y
Prince
mk237 1635-1636 Oil on canvas 191x103cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Detail of Prince oil painting


Detail of Prince
mk237
Painting ID::  54736
VELAZQUEZ, Diego Rodriguez de Silva y
Detail of Prince
mk237
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Sculpture oil painting


Sculpture
mk237 1635-1636 Oil on canvas 109x87cm
Painting ID::  54737
VELAZQUEZ, Diego Rodriguez de Silva y
Sculpture
mk237 1635-1636 Oil on canvas 109x87cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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